Thai Vignettes - by Steve Rosse - Chapter 1

By : Bangkok Book House
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Chapter 1 - WAIT UNTIL DARK

It is almost six o’clock when the two Japanese girls come into the Phuket Yacht Club’s Quarterdeck Restaurant. Thamanoon is standing by a potted palm, his hands elegantly folded around a menu, staring out at the boats on the bay. This time of year, just after the King’s Cup Regatta, the bay is full of boats and the hotel is nearly empty of guests. Thamanoon loves to watch the boats. He resents the intrusion of the two Japanese girls, though a thousand years of Asian culture and four years of training in the hotel make it impossible for him to show it.

Six o’clock is the slowest time of day in the restaurant; most of the guests will wait for the evening to cool down before eating their final meal. Kamol is on his break and Wiwat is in an English class, so Thamanoon is alone on the floor. He leaves the shadow of the potted palm and glides forward to meet the Japanese girls.

“Good eefaning, Miss Mikosan, Miss Miyagisan. How are you?” Thamanoon knows the girls from their last stay in the hotel, and he gives them his number four smile with the greeting. They’ve just come from the pool, and their hair is wet where it hangs down over their white terrycloth robes. He sneaks a look over Miss Mikosan’s shoulder at the boats on the bay. Miss Miyagisan has the best English and she always speaks for the pair.

“We are fine, shank you. And you?” Her words carry the same rehearsed quality that Thamanoon’s do.

“I am fine, dank you. Would dis tabuhn be awright?”

“Yes, shank you.”

He holds their chairs and opens the menus before presenting them, all the time smiling and making warm eye contact. Thamanoon makes the best tips of any of the waiters; he has his eye on a new motorcycle and his parents want him to marry Ying, the village headman’s daughter. He could have one or the other on his salary, but not both. As he pours their water and gently lays their napkins across their laps, his gaze flits over the heads of the Japanese girls to the bay, to the shadows of almost a hundred masts rapidly lengthening across the flat water as the sun goes down.

Miss Miyagisan orders spaghetti with meat sauce for them both, and some sweet drinks from the bar. Thamanoon takes the order into the kitchen as quickly as he can and still maintain decorum. He doesn’t like to leave the dining room this time of day; he’s afraid it will happen and he’ll miss it. He stands by the bar and waits for their drinks and watches the sky turning red over the ocean. He can see hundreds of cars and buses lined up on the lookout point at Phrom Thep Cape, and streaks of crimson run down the masts of the windmills at the government power station.

When he brings them their drinks the Japanese girls are each staring into a compact mirror and applying snowy white powder to their faces. He arrives at the table, places the tall glasses topped with fruit and paper umbrellas onto the starched linen tablecloth, smiles at each of them and retreats. At no point does he make any sound. The girls each take out slim cigarettes, light them, toss their hair once, and taste their drinks. They judge the drinks acceptable and begin to talk in rapid giggles.

Thamanoon is watching anxiously now. He’s afraid that the girls’ order will be ready while it’s happening and he’ll miss it. The sunset is magnificent, and the tourists on the lookout point are taking pictures; in the dimming light Thamanoon can see the flashes of their cameras. The eastern sky is darkening and a stillness has fallen, the sea is dead calm now without a breath of wind, and despite the vaulted ceilings and open walls on three sides it seems stuffy in the restaurant.

Thamanoon hears the bell from the kitchen and fairly jumps to get the orders. He brings the girls their spaghetti as fast as he dares, lays the food on the table with a grace and economy of motion that would give a bullfighter a long and healthy career, supplies the condiments and cheese and says, “Willderebeanyt’ingelse?”

“No, shank you,” says Miss Miyagisan, and Thamanoon is away to his potted palm.

He positions himself so that it appears as though he’s looking in the direction of where Miss Miyagisan is trying to teach Miss Mikosan how to twirl the spaghetti around the fork in the bowl of her spoon, but in fact his attention is completely at sea. He has no thoughts of the new motorcycle now, no thoughts of marriage or his job or the boxing match that he will watch on TV later. His whole world, for this moment, is the bay and the boats.

And as the sun disappears below the horizon, and the long lines of buses and cars begin to creep down the mountain from Phrom Thep Cape, the wind picks up again. But now the wind is from offshore, and the windmills and then all the boats turn to face it, the lighter boats first and then the larger ones, swinging around 180 degrees on their anchor chains like a flock of birds wheeling in the sky. And Thamanoon is rooted to the spot, oblivious to the Japanese girls calling for more drinks, as in the bloody glow of the dying sun all the beautiful boats are dancing just for him.

(End of Chapter 1.)

Steve Rosse

© Steve Rosse. All rights reserved by the author.

ISBN: 974-93439-2-1

----------------------------
If you enjoyed this first chapter of Steve Rosse's 'Thai Vignettes' you can easily purchase the book online here at Bangkok Books.com: http://www.bangkokbooks.com/php/product/product.php?product_id=000025&sub_cate_name=&sub_cate_id=

Most books published by Bangkok Book House are available at Asia Books, Bookazine, B2S, Kinokuniya, Suriwong Chiang Mai, DK Chiang Mai, Pattaya, Lampang; all airports, many hotel outlets, supermarkets (Villa, Friendship Pattaya), The Books (Phuket, Krabi), Singapore including airport, Hong Kong airport and many smaller independent outlets throughout Thailand.

All rights for this book preview are reserved by the author. Reprint permission came from the publishing house Bangkok Book House (www.bangkokbooks.com).


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Comments / Feedback

Dana
April 13, 2008, 12:23

This same story occurs in Steve Rosse's PHUKET VIGNETTES so I do not know if this is cross feritilization or if PHUKET VIGNETTES has been renamed (and remarketed) as THAILAND VIGNETTES.

At any rate, I just finished reading PHUGET VIGNETTES and I thought it was the best thing I had read in the short story category on the Thai scene for westerners. The book is a collection of short (in most cases very short - vignettes) stories and not one of them is one you have heard before. Interesting content and excellent writing. I recommend it. At first I thought the wriitng a little bland but then he outflanked me with excellence and bequiled me with good writing. I found myself constantly turning to the front photo--who is this guy?
Mike
April 14, 2008, 11:37

Dana, I believe the title 'Phuket Vignettes' is found on the US version of the book. The Thailand published version uses the title 'Thailand Vignettes'. Very nicely written and amusing. Well done. I have read one of these 2 books of Steve's (Expat Days) and look forward to reading the other some day when I can. I now have in my e-mail inbox some never seen short stories that didn't make it into this book. We'll be showing them here soon for your reading pleasure, thanks for that Steve. Hope you are all having a grand Songkran. I'm here for an hour at the Surin house checking the mail and back off to the village for another night of loud Lao music, cheap whiskey and beer, and excellent Thai foods. Sawadee Pii Mai all. :-)
Mike
April 18, 2008, 13:12

"At any rate, I just finished reading PHUGET VIGNETTES and I thought it was the best thing I had read in the short story category on the Thai scene for westerners."

High praise from the leader of 'The Church of Dana'. Unprecedented actually I think. :-) I have to agree these are very nice stories and of a different flavor and subjects from most we see. I've read one of Steve's books and intend to get my hands on the other one soon as I can. Nice reading and intertesting stories.
Dana
April 18, 2008, 13:57

" . . . and of a different flavor and subjects . . . "

That is what got my attention. Considering all the Internet reading I have done, and all the published writing I have read, and all of my own writing it is kind of hard to get my attention and impress me. There was just something a little bit different about these stories and the way they were delivered. They were all book store shelf PC acceptable, and of no literary risk taking, or controversial subject matter, or clever demanding presentation; but still the author managed to keep me turning pages. I got surprised many times by a writer in full command of his tools and kept smiling. Most of the pap on the book shelves in the farang section just bores me. The book flap bio on the author mentions that he was a columnist for a Thai newspaper. I think this is extremely important. I feel that writing constantly and under pressure is the single best and fastest way to improve your writing. I write seven days a week and often under some kind of deadline. My writing has improved. I have no respect for the great writer who took five hours to write two sentances. Tell me where the journalists hang out. Writers.
steve rosse
April 22, 2008, 02:13

Thank you for your kind comments. They are very much appreciated.
steve rosse
May 6, 2008, 02:43

I'd like to, if I could, address a small point in Dana's comments. He says that my first book, "Thai Vignettes", was "book store shelf PC acceptable and of no literary risk taking...(sic)". Since the book appeared on the shelves between "Hello, my Big, Big Honey" and "The Go-Go Dancer Who Stole My Viagra," being PC was never a consideration. But in fact these stories were originally written for a major metropolitan daily newspaper, and if you re-read "Wait Until Dark" and imagine it printed in a Sunday "lifestyle" section, I think you'll agree it was unusual for the market and medium, risky, in fact.
steve rosse
May 20, 2008, 02:27

"I have no respect for the great writer who took five hours to write two sentances. Tell me where the journalists hang out. Writers." I hate to throw a man's words back in his face, but nobody cares more about technique (spelling, grammar, syntax and punctuation) than journos. E.B. White's "Elements of Style" is still on more bookshelves than his "Charlotte's Web." By the way, if you want to see the first-person anecdotal essay as art, check out his "Once More to the Lake." It's available all over the Web. It's awesome.
Dana
May 20, 2008, 08:39

"I have no respect for the great writer who took five hours to write two sentances. Tell me where the journalists hang out. Writers." I hate to throw a man's words back in his face, but nobody cares more about technique . . . "

I was not talking about technique. I was talking about talent. If it takes you all morning to write two hundred words please do not tell me you are a writer. You may have convinced others. Just do not tell me the obligatory boring story of how you labored with your art for hours and came up with two gem sentences because you are an artist. Nonsense. Just get on with it and shut up. You either are writing or you are not writing. When you are not writing you are not a writer. Pretty simple folks.
steve rosse
May 20, 2008, 19:44

"Pretty simple folks." It's not simple at all, Dude. Nothing worthwhile, nothing important, nothing immortal is simple. Venting on line, seeking attention, taking pot-shots from behind the keyboard, that's all pretty simple and sad. But creating something you can be proud of is mysterious and complex and spellbinding. It makes you mad and it makes you sad and, if you do it just exactly right, it can make you money. But writing is never, ever, ever, ever, ever simple.
Dana
May 22, 2008, 10:09

"But writing is never, ever, ever, ever, ever simple."

Klaxon sounding. Dive. Dive. Dive.

Could anything be sillier than the above quote? Never? All artists and acts of creation are just endless bouts of pulling hairs out of your nose? There is never the talent tsunami of flow and zone known to the athlete, and the professional, and the artist? Just every damn little thing and word and page is a struggle?

Silly. Elitist cocktail party chatter to impress the hairy Israeli backpacker with the salad bowl breasts.

In my case writing is easy. It is just a matter of coordinating talent, the messages from the outer space people, reworking old WWII comic book plots, and listening to the voices in my head. Easy, and fun, and self satisfying, and the best kind of vanity. Poking holes in the Universe with my pen and letting my literary photons start an eternity of travel.

Since I have no backbone or character if I have trouble with a sentence or a word choice I just quit. Or at least I think that is what I would do. Never come up before. Writing for me is just easy.

I'm hosting a writer party in Boston in August. Only writers who find writing easy, vanity an important value added part of a person's ego, and self pleasuring beyond the need for defense are invited.
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