His Gal Friday

By : Steve Rosse
Views : 290

Malcolm fidgeted with the salt and pepper shakers on the table. The shakers were square, clear glass obelisks, and Malcolm was trying to balance the salt shaker on its bottom edge, leaning on a few grains of salt, as he had learned to do in his public school canteen.

When Thip appeared at his elbow he jumped to his feet and nearly knocked the table over, scattering salt across its Formica surface. "Oh, sorry," he said. "I'm a little nervous. But happy, nervous but happy. Thank you so much for meeting me."

Thip gave a formal bow, which he tried to return even as he was motioning her to the chair opposite. They both waited for the other to sit first, then Thip sank gracefully onto her seat and Malcolm perched on the edge of his. "I am nervous, too," she told him, looking furtively through the gloom of the restaurant to the big windows which faced the street. "If John sees us, I don't know what he will do."

Malcolm nodded. "I know. That's why I picked this place; nobody comes in here in the daytime. Nobody will see us. I feel just terrible, he is my best friend and all, but Thip I had to speak with you. Would you like something to drink?"

She shook her head, barely disturbing her long, glossy hair, and lowered her gaze to the table top. She began sweeping up the spilled salt with a paper napkin. Malcolm waved away the approaching waiter and cleared his throat. "The thing is," He began. "I don't think you're happy with John. I've watched you with him, and I can see that he annoys you. The way he orders you about, the way he constantly criticizes you. He doesn't deserve you, Thip, you know it's true."

The young woman looked up and there was obvious pain in her voice when she said, "But he has been so good to me. He took me when no other wanted me, and he has taught me so much. He is like my father, and my brother. He took care of me for five years, and I cannot leave him."

Malcolm wanted to reach out to her, to hold her hands and comfort her, but both of her slim, beautifully manicured hands were clutched firmly in her lap. "I want you to leave him, Thip. I think you're wonderful, and I need you. If it's a matter of money you know I can give you more than John can," he said.

"It is not money," she said in a small voice. "It is... It is..." her brows knitted with concentration over big, moist eyes. "It is my karma. You know karma?"

Before Malcolm could answer another man walked up to the table. Both Thip and Malcolm jumped this time, and salt scattered across the table again. "Thought that was you, old boy!" said the newcomer. "What are you two doing back here in the dark, having a secret conference, eh?" Thip leaped from her chair and said "Malcolm I am sorry, I must go..." and she hurried away. "Wait, Thip, wait..." Malcolm implored her but she kept going across the nearly empty restaurant, out the front door and into the brilliant white light of the street.

"I say, sorry about that." The newcomer took the seat Thip had vacated. "Hope I didn't muck anything up. That was John's girl, wasn't it? What's her name, Nit, or Yip, or something?"

Malcolm looked at the other man with a defeated expression. "It's Thip," he said, "short for Thipsuda. It means Blessed Angel."

"Well, she sure looks like an angel. Absolutely stunning girl, face and figure like that she could stop traffic. Can't say I blame you for being disappointed, though to be honest, I thought you were pretty happy with your wife, Malcolm."

Malcolm broke from his reverie and looked at his friend. "Of course I am, what the hell are you talking about?"

"Well, here, with that girl..."

"Thip? I was asking her to be my secretary, Potsy, not my girlfriend. She types fifty words a minute, she knows Windows inside and out, she's a whiz with accounting and she takes phone messages. Can you believe it? She actually says, 'May I take a message?' and then she writes down what the other person says, and then she gives that piece of paper to the boss when he comes back to the office."

Potsy looked at Malcolm like he was describing life on Jupiter. "You're kidding, right?" Malcolm shook his head. "Dead serious, mate. I've seen her do it." All the bluster left Potsy and he became very serious as he said, "I say, a girl like that could make all the difference in a man's life, couldn't she?"

Malcolm stared at the empty entrance of the restaurant. "I'm not going to give up," he said. "I don't care if it costs me John's friendship, either. She's one in a million." With a violent motion of his hand Malcolm swept the scattered salt to the floor.

 

© Steve Rosse. All rights reserved by the author.

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If you enjoyed this short story by Steve Rosse you can read more of his work by purchasing his books, 'Thai Vignettes' and 'Expat Days' online at BangkokBooks.com. Here's the direct links to each for easy purchase.

Thai Vignettes: http://www.bangkokbooks.com/php/product/product.php?product_id=000025&sub_cate_name=&sub_cate_id=

Expat Days: http://www.bangkokbooks.com/php/product/product.php?product_id=000032&sub_cate_name=&sub_cate_id=


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Rating

PG



Comments / Feedback

steve rosse
May 25, 2008, 23:12

Can I ask everybody to use the radio buttons to rate my stories? I think that's an under-used resource on this site. Since hundreds seem to read the stories but only a few comment, I'd be interested to see what would happen if everybody used the rating buttons. Or are we all so exhausted by politics that we hate polls? I could understand if we were.

Reading "His Gal Friday" after something over a decade, I think it's not very good. Like a lot of stories written for a particular audience, it falls flat if you're not in the target market. I don't remember writing this but I'm sure it was written for Thailand Tatler, an upscale lifestyle magazine aimed at Bangkok's idle rich. Every member of the Thai minor nobility who's been educated abroad secretly misses the efficiency, the ambition, the drive of Western business culture. I'm sure this story went over big with the intended audience, and at that time Tatler paid the equivalent of a monthly car payment for 1,000 words, so I'm sure I considered the story a success at the time.

But now I wonder why I named Potsy "Potsy." That's a name from an old American TV show, and completely unsuited to this character. I think I must have been writing right up against a deadline. I hate that "…public school canteen…" plant at the top just so Malcolm can say "Dead serious, mate…" later on. I hate the spilled salt thing, which was only intended to be a bit of business to break up what was otherwise nothing but exposition. There's precious little you can do at a café table before food and drink are served, and it was either that or have Malcolm tear up a napkin. But now I think I should have done the napkin thing; the spilled salt seems to presage impending disaster, which was not my intention at all. (I do like the alliteration of "…swept the scattered salt…" at the end, but that's a thin punchline for so much set-up.) I hate "All the bluster left Potsy…" when he hasn't been blustering and "Malcolm broke from his reverie…" when Malcolm hasn't been musing. Those are two trite and hackneyed phrases, polyester throw-pillows tossed into corners by a designer out of ideas. Most of all, I hate the overall "It's better where I come from…" taste left on the reader's tongue at the end of this piece.

And I guess I hate that stuff about "John doesn't treat you right…" The real Thip was Rungthip H., business manager for the Phuket Gazette for over 10 years and one reason that enterprise began to turn a profit with its third issue. Most of the tourism industry on Phuket at that time was run by Westerners, and like any farang man in the Kingdom for longer than a year, we all tended to idolize "good girls." A lot of advertising was sold simply because men wanted a sales call from Rungthip.

Not only because it was a chance to chat with an extremely pretty girl for half an hour, but because she was so good at business. She kept the business cards given her and remembered the givers years later. She took meticulous notes at every meeting. She could debug a computer and speak English complete with grammar. SHE SHOWED UP ON TIME! Every man who had any kind of business to do with the Gazette had a crush on Rungthip.

And John Magee, owner and publisher, treaded Rungthip like a queen. Or I suppose he did; she always seemed happy with her job and stayed there forever. Now I wonder how this all read to John when it was published. He's never mentioned it, but I wonder if he was hurt. Like I said, I don't remember writing this, but I'm sure I never meant to insult John. He was a good friend, the first publisher who ever showed interest in publishing a book of my stories, and he fed and clothed my family for years. I guess this is just one more apology I'll have to make when I go back.
Dana
May 26, 2008, 01:05

"Now I wonder how this all read to John when it was published. He's never mentioned it, but I wonder . . . "

Writing should be such a fun and happy thing for everyone; the writers and the readers and the included ones. It is almost never 100% that way. Someone always seems to misinterpret, or misread, or miscue, or decide to be offended, or use the text as a springboard for aggressive behavior.

Gee, the writer thinks; that is not what I wrote, or what I intended, or what I meant for people to think. Non writers romanticize writing and assume flowers are thrown in the path of the writer, and golden pebbles are thrown against our windows, and writer groupies are climbing the drainpipes to get in, and . . . there are many disappointments in public life.

Writing non fiction or faction and including contemporary people that are a part of your life is an invitation to hurt feelings. I do it infrequently and consider it high risk. Even including yourself and using your real name can be high risk and an invitation to aggressive and misinterpretive behavior. I use a lot of biographical detail and I use my own name. I have many times been told this is not a good idea. What happened to us? What happened to the world that I am better off not divulging any part of my only time on Earth? And when did I miss the memo and the email on not even using my own name? What happened?
Julian
May 26, 2008, 09:38

I don’t think I’ve ever rated another writer’s stories Steve.
I feel totally unqualified to do so and I’m uncomfortable with ratings systems anyway.

I really enjoyed a story by Hans Meier last night and I commented on it appropriately. But would a story containing a line like “We sprint into each others arms, her face is 1000 percent beams and joy,” be worthy of a 10?
Many would say not.

I was a constant C- in English at High School and dropped the subject as soon as it was allowable to do so. It wasn’t fashionable for boys to be good at English in those days anyway

Other than a couple of chapters of Doctor Zhivago after seeing the movie I’ve never read of any of the Russian masters or a single word by James Joyce.
The six books I’ve been reading recently sit in front of me now. Larry Mc Murtry, Bernard Cornwell, Joeseph Wambaugh, John Irving, Bill Bryson and Michael Connelly.
You expect ME to judge literary excellence?

Finally, I blog on another website which also contains Thailand’s largest expat forum. It is well known amongst bloggers on that site that to criticize or disagree with certain members on the forum will guarantee your next blog episode an anonymous 0 out of 5. Could we honestly say that petty jealousies don’t enter the ratings here? (I’m still burning over that 3/10 some prick gave me  :-( )
Marc Holt
May 26, 2008, 15:13

I rated this story a 7 because you asked us to rate. I don't normally rate anyone either. Why only a 7? Or perhaps why as much as a 7?

I liked the way you set the mood, although the salt shaker bit was a bit distracting. But I could see the ending coming before I'd got even halfway through. If you were a boxer I'd have KO'd you already. Hence the 7.

It's always strange going back to read stories you wrote years ago. Some are still my favorites (Telephone Echoes, The Tennis Club Ghost), but others make we want to puke in shame. Ah well, such is the writer's lot in life.

But it's amazing what appeals to readers. I've had an offer to publish some of my upcountry and soi tales. I thought they were interesting from a social viewpoint, but I wouldn't have picked them for a book. Who knew?

Reading. Yes, we writers MUST read. Some books are so good I reread them again and again. Others are so lousy I put them down after the first couple of chapters. One I started reading this morning, "Confessions of a middle aged Ecstasy eater' was so appallingly bad I gave up after the first couple of pages. The writing style was so stilted, ugly, and boring I don't know why the author bothered. I guess he was still on Ecstasy.

But some publisher liked it enough to include it in an anthology of known and unknown writers. Who knew?
Jago Turner
May 26, 2008, 19:08

I don't like to comment on stories too much and I really don't like the idea of rating them. You can get caught in a trap of making positive comments that, because they are made so frequently, begin to seem insincere and meaningless. More critical comments, unless they are tempered, are best made between close friends, editors and publishers.

I agree with Julian to some extent here. Who the hell am I to judge. I'm not sure I even believe there is such a thing as objective criticism. Some may have a checklist of elements which comprise a work of great literature but whenever such a list arrives a great work will arrive breaking every single rule and make the list redundant. Academics can swallow a set of judgements - as long as they are annotated - and force themselves to feel what they are supposed to feel. I feel we are most moved by the kind of prose that speaks most directly to us and our own experience. If a work matches our perceptions of reality we are apt to favour it. If it appears contrived or feels like an author is talking down to us we are apt to dislike it (but then there are some people who love being spoken down to as it makes them feel they are in the company of a clever person). If I comment on a story it is primarily because the author of the story is talking my language or a language so universal that it feels like my language. If I comment on a story here it's usually because the story has awoken some familiar memory which I can relate to.

As for ratings... It's one thing I wish was missing from this site.

The author of this piece feels distanced from this work after ten years. I feel distanced from stories I wrote last week. I don't know why I write half the things I write. I will always find immense flaws in old stories that I won't find in what I wrote this morning. I used to go back, cry a bit, and then rewrite the story with better grammar or better logic. What I think I've learned from this is that those flaws are part of the character of your story and that if you get rid of all of them you end up with something a bit lifeless. It's too easy to revise your old stuff so much that it ends up being like a big fat Hollywood movie with a million rewrites but no voice. A professional editor can help with the worst of errors but sometimes errors have charm that rewritten stuff lacks. I'd sooner watch Plan Nine From Outer Space a thousand times than anything else with Bourne in the title.
Dana
May 26, 2008, 21:20

Opinions differ. I refuse to have my material rated in any way and I have informed the website administrators that I do not want my stuff rated. I rate my writing.

As a courtesy I do not rate others. I may say something about the work in an email comment, but a formal numbered rating system I just find off putting. In theory a formal numbered rating system amongst knowledgeable interested parties should be fun. In fact, it is often incendiary and divisive.

This is not necessarily because of character flaws in the author, or because of stupid readers; sometimes (often) writing affects you in mysterious ways and reducing the mystery to numbers and comments is not possible or desirable.
chuckwoww
May 26, 2008, 21:42

MH mentions 'Confessions of a Middle Aged Ecstasy Eater' The full piece was published by Anonymous in Granta and I can't comment on its literary merits. The title suggests a parody of De Quincey.

Anyone interested can learn more here...

http://www.maps.org/media/confessions.html

As for the ratings system....I don't use it and I don't think it's very important. This shouldn't stop anyone rating mine a consistent 10.
Dana
May 26, 2008, 22:04

"This shouldn't stop anyone rating mine a consistent 10."

Thank-you for stating the obvious Mr. Woww. Everything I have written was and is a 10. Objectively speaking, this is a scientific true fact. Naturally, other opinions are incorrect and of no interest and represent the demented shrill cackles of the hyena, and the disgusting grunts of mammals and reptiles too low down to deserve notice.

Am I open minded about this? No I am not. You can not be open minded about facts. For example: two plus two equals four. It always equals four. No other possibility exists. No other opinion or point of view has value or deserves time. It is not something to be open minded about. Everything I have written is a 10.
steve rosse
May 27, 2008, 00:10

http://www.maps.org/media/confessions.html

Yikes. Here's literary masturbation of the first order. "My son was out of control and my solution was to buy drugs from him." "Me, me, me, me, me, Oh God I'm Comingggggggggg. Me."
Marc Holt
May 27, 2008, 06:07

CW, you are right. I skimmed through the rest of the book, but putting the ecstasy eater's story first put me off the rest. Unfortunately, the story was not a parody of De Quincey. The writer, Anonymous (such a cowardly way to write), claimed he was a well known newspaper writer. I don't understand why. His writing was stilted and pompous...but perhaps that's why his only a newspaper writer. The story was full of detours in an attempt to explain why he indulged himself.

Having taken some E myself in a past life I can understand why someone would want to write about it. But the drug is so much fun. Anything written about it should be entertaining. Anonymous wrote it into a dirge.

Sorry for the digression Steve. I agree with the other commenters here. Leave the story as is. You wrote it at that time with a purpose in mind. The story is a good stand alone piece. I enjoyed it.

Jago, please write some more. I love your stories.
steve rosse
May 27, 2008, 08:02

"the story was not a parody of De Quincey"

I think it is a parody of De Quincey. I think that's why the language is stilted and old-fashioned.
Sally
June 19, 2008, 15:13

I wonder how hurt John feels afer he read your opinion about him, in such a bad way at least it's not good. Though it's a decade ago, but letter published can be remebered for lifetime.

By the way, It's better than doing nothing when you were sure of what you wrote and thought about him were all misunderstanding so you place your apology on your comment above.

I am sensitive and think that if I were that mentioned person, I would be hurt so much if I was done by my best friend like this.
steve rosse
June 20, 2008, 01:41

I am sensitive and think that if I were that mentioned person, I would be hurt so much if I was done by my best friend like this.

He was not my best friend. A good friend, but more importantly, a publisher and editor. That's a deeper relationshiip than mere friend. And listen, if the publisher of the Phuket Gazette ever looked at this Web site, it would be cause for celebration.
Sally
June 20, 2008, 13:07

Thanks for your reply, Steve Rosse. Because of your enthusiasm to pay attention to each comment, I feel eager to read your book. Where can I follow full story of "His Gal Friday"?
steve rosse
June 24, 2008, 23:45

There is no fuller story than this, Sally. The books are short stories and short personal essays. I tried not to cover the same ground twice.
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