Fight like a Thai - Part 2

By : Rob Carry
Views : 897

After an initial, grueling flurry of appearances in a full-time Muay Thai (Thaiboxing) gym in Phuket, my employers decided I should relocate to Bangkok. Most Muay Thai clubs operate during office hours so it was a difficult to find one I could fit around work, but my search eventually met with success. A friend-of-a-friend – a Canadian guy called Tyler whose career as a mixed martial artist/cage fighter came to an abrupt end when he was flown to Russia for his first fight only to have his jaw badly broken in the first exchange of the first round – told me of a few evening classes near my end of the city. He listed off a few, but one had  immediate appeal.

The following week I went along to my first class at the Bangkok Fightclub. But despite the fearsome moniker, the gym had little in common with the full-time professional classes I had attended in Phuket. The evening time slot meant predominantly foreign students training to keep in shape and for the enjoyment of the classes as appose to Thais who trained because fighting was their livelihood. The class was slowed down somewhat by tourists who came along on a one-off basis but the quality of the Thai instructors meant that individually, you could train more-or-less as hard as you wanted. Having quit smoking and cut pub/club visits down to by-monthly events I was raring to go from the off and after a couple of weeks the head instructor – a jovial, thoroughbred warrior who had boxed for Thailand in the Sydney Olympics and was only beaten by the eventual (Cuban) gold medalist – came to me with a proposition.

“When you fight?” asked Somchai.

“I'll fight tomorrow,” I said with a grin, hoping he was joking.

“Ahh! Dii Mak Lobert! Two months you ready to fight,” he answered, clearly happy with my faux-enthusiasm for a trip to the ring.

“You think so?” I asked, starting to wonder whether this might be something I could actually do.

“Jing jing. Two months I take you Burriram, my home town, and you fight in stadium! Now, go kick bag.”

And with that, my fate was sealed – I would be taking a pro-Muay Thai fight in the part of the country where it was practically a religion. Since then, I've been coming across increasingly worrying snippets of information. For one, an inquiry about who I might be fighting led Somchai to tell me that I need not worry, I would be fighting a fellow beginner, the only difference being that he would be Thai. Fighting a Thai is a big enough deal given that the purse is the difference between whether their family eats or goes hungry, but something else began to worry me about the proposition. Thais train since they're kids, so unless the plan was to put me in against an eight-year-old my opponent's 'beginner' credentials would be dubious at best. I was also told by my buddy Tyler, who is preparing to go under the knife for the second time in an attempt to repair his ruined jaw, that Thai instructors get paid for getting people into the ring – win, loose or draw.

However, the clearest indication that I was being lined up for an unholy bating came last week in training. On Somchai's orders I had been low-kicking a heavy bag for a good 30 minutes straight – it started to get boring so I started practicing a few high kicks. Somchai however, wasn't happy.

“No Robert! You have to kick low every time!”

“Really? Why?” I asked, genuinely perplexed.

“In Burriram you fight big man, so you have to kick low! Only chance you can win! Now, go kick bag.”

I've been researching health insurance. Sadly, I'll be lucky to find a company reckless enough to give me a policy. 

 

 

© Rob Carry. All rights reserved by the author.


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» Getaway - Part 20
» Fight like a Thai - Part 1
» Fight like a Thai - Part 3
» Fight like a Thai - Part 4
» Fight like a Thai - Part 5

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Comments / Feedback

Rob
August 26, 2008, 19:37

Fate. Your FATE was sealed.

Nice story though.
Rob Carry
August 26, 2008, 21:20

Cheers - just changed that. Not a great believer in either concept ;)
steve rosse
August 26, 2008, 21:36

Here are some examples of simple spelling errors that would be caught by an editor:

"as appose to" instead of "as opposed to"
Misplaced comma in "individually, you"
"by-monthly" instead of "bimonthly"
Unnecessary hyphen in "faux-enthusiasm"
Unnecessary hyphen in "pro-Muay"
"unholy bating" instead of "unholy beating"
Missing comma in "Somchai however"

An editor does a writer a favor in pointing out (or simply correcting before publication) obvious errors like these. For a novice writer, the editor would begin with these notes and then move on to the run-on sentences and poor word choices (like "Thais train since they're kids…"). Then on to structure (story's too short for most publications), marketing (how big is the audience for Muay Thai anecdotes), theme (can the story of a farang learning Muay Thai be a metaphore for the larger issues of expat life) and character (we know nothing of the protagonist beyond the fact that he's interested in boxing). The editor will never, EVER, tell an author his story is "good" or "bad." If he didn't think the story was good, he wouldn't spend his valuable time commenting on it. The bad stories go in the waste basket without comment. So a serious writer is grateful for ANY feedback from an editor, or even from a literate reader. Writers who say they are the best judge of their own work are not serious writers.
korski
August 27, 2008, 07:10

Okay, you've found some examples of poor spelling or misplaced commas and they should be corrected. No gripe here, but I thought your gripe had to do with the kinds of examples I gave in another post. All Net sites are chockablock with inferior stories, or non-stories, or amateurish stories. Stick or Mike cannot take the time to make these distinctions, other than to throw out the very obvious garbage, that detritus that lies somewhere in the second if not third standard deviation. You overstate the case that writers are not the best judge of their work. It's all much more complicated than this because you have a lot of second- and third-rate minds judging first-rate works, and you have to know what good work looks like to be able to say so. It is no secret that in the world of story telling, getting published in good or even decent outlets (not the Internet which is not publishing at all) requires one hell of a lot more than writing talent and good story telling abilities. As John Cheever, the prolific New Yorker writer, once remarked; you want to get into this market, then f*ck the editor or the publisher. Don't delude yourself that reviewers are the the best judges; often quite the contrary. They play as we all do to our deepest prejudices.
Rob Carry
August 27, 2008, 15:48

Hi steve - cheers for taking the time to pull up a few issues with the article. Personally, I think that's exactly the type of feedback we need more of here.

A few points though:

Structure -

This is an edition of a weekly column published by a small-circulation newspaper in Ireland so I'm assigned a word count.

Marketing/The protagonist/Theme -

The publication is geared towards the country's immigrant community and I used to work for them full-time before going to Thailand. We thought it would be interesting for our target audience to have an Irish person writing about their experiences of being an immigrant. I understand your point about interest in an account of someone's experience with Muay Thai but there's another sub-plot our regular readers would have been aware of that you couldn't have been. Again, in line with the paper's target audience and multicultural ethos, I used to write a sports column as a staffer which involved me going to learn martial arts from different parts of the world (via classes in Ireland) each week. A lot of martial arts fans plugged into the column – see here:

http://www.boards.ie/vbulletin/showthread.php?t=2055131775

and quite a few appear to have kept reading when it went general interest.

You make another valid point that, if this was stand alone, readers would know nothing about the protagonist, which would mean no attachment and people not caring if I got my arse kicked or not. In its wider context though, this doesn't apply.

Errors

Most of the errors you pointed out are of course spot on and shouldn't be slipping into copy. Exception would be 'bating' - that's Dublin slang which the audience would have got. With this column I aim for a relaxed, conversational, story telling style which is also the reason for the likes of: 'Thais train since they're kids'.

Beyond that, I’m not going to make excuses on tech errors, as you said on another thread, writers should always strive to be the best.

On reflection, I probably should have posted something about the wider context, as it’s obviously difficult for the likes of yourself to critique work without knowing what it’s being written for.

Thanks again.
steve rosse
August 27, 2008, 19:20

"an Irish person writing about their experiences of being an immigrant..." That's an interesting subject for a column. Too bad they give you so few words. I think, if you had more room, it would be interesting to do a column on the differences in taking classes from an immigrant in Ireland and taking classes AS an immigrant (or expat, rather, since I assume you're not changing your nationality) in Thailand. What rituals survive the crossing? How do the standards change? If a teacher knows his student paid to travel half-way around the world to study at a particular gym, does he treat the student differently than he would if the student could choose to go to any other gym in town? Is there a difference training in a gym where you're one of very few white faces, compared to a gym where the only Asian is the instructor? There's room for a lot of writing in this subject.
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