Good References

By : Steve Rosse
Views : 441

Schatz looked across the desk and said, "I see from your application that you're American, Mr Peret." Joe sat up straighter in his chair and cleared his throat. "Yeah, from Brooklyn. Dat's in New Yawk. An' how 'bout you, Mr Schatz? Where you from?"

Schatz pointed to the small flag which stood next to the overflowing ash tray on his desk, a white cross on a red field. "I should think you could tell from this that I'm Swiss," he said.

"Oh, I thought it meant you was a lifeguard," said Joe. The two men looked at each other in silence. Joe coughed uneasily. "Sorry, dat was a joke."

"Ah, I see. American humor. Well, let's talk about your work history, Mr Peret. I see that while you've only been in Thailand for five years, you've held more than a dozen jobs. You began your career in the Kingdom working on the radio, is that right?"

Joe was glad for the change in subject. "Yeah, matter of fact, I was da first farang in dis country ever got a work permit to broadcast outside of Bangkok. Did a rock n' roll show, eight to midnight, every night, for six months." Schatz tapped a finger lightly on the desk. "So what happened?"

"Well, dey was having a hard time sellin' da advertisin', cuz everybody knew nobody was listenin' to the show. I mean, what tourist sits in his hotel room scannin' the FM dial, ya know? So I went roun' da bars tellin' 'em I'd give 'em free plugs on the air if dey played da show on da speakers. Worked great, we had listeners anyway. But da boss din't unnerstand about givin' nuttin away for free. He thought I was takin' money under da table ta plug dese joints, and I probably shouldha been, but I was new in town, ya know? So he fires me."

Schatz raised one carefully trimmed eyebrow. "You were fired for corruption? In Thailand?"

"Uh-huh. I'm probly in da history books."

Schatz rubbed a finger along the side of his nose and dipped his head to hide a smile. "So then you were, let's see, manager of a tanning salon?"

"Right. Place went bust. Some guy got a deal on a dozen tanning booths dat were abandoned in customs and put 'em into a shop-front on Patong beach. Tanning booths on da beach. Who'd a figgered dat would't work out?"

Schatz recognized the rhetorical nature of the question and continued to run his eyes down the application. "And next, a Kosher delicatessen on Rawai Beach. Where is Rawai Beach?"

"Little Muslin fishing village at the bottom tip of Phuket. I had a deli, great location, tons of foot traffic, right next to the mosque. Still don't know why that one went bottom-up."

"And the job selling children's books door-to-door?"

"Some kinda trouble wit da work permit. You know how it is."

"Um... yes. Then you did marketing for Ye Old Rustique Juice Bar. What happened there."

"Da owner made his girlfriend da manager."

"Ah, too bad. I used to like that place. What's occupying that building now, a pet store, I think?"

"Veterinarian's office."

"And finally, let's see, you were a Guest Relations Manager at the Thalang Beach Nouveau Riche Resort." Schatz looked at Joe with both of his absolutely symmetrical eyebrows raised.

"May I ask...?"

"Dey dint like da way I dress." Joe sat perfectly still, allowing Schatz to take in his unpressed trousers and mud-spattered shoes.

"Truth is, wearing long pants in da tropics gives me a rash. Most o' da time I wear shorts."

Schatz ran his gaze up and down the paper one last time. "No references?" he asked. The odor of tobacco coming up from the ash tray in front of Joe was giving him a tremendous craving for a smoke, but he didn't reach for his pack. He kept his hands clasped in a sweaty knot in his lap. "I can give you da name o' my dentist. He's done a lot o' work for me, and nobody knows ya better dan da guy dat puts his fingers in ya mouth, right?"

"I was thinking more of work-related references. Nobody I could call at your last place of employment?"

"Nah. I wouldn't bother if I was you."

There was a heavy stillness in the room as Schatz regarded the application again. Joe knew that the man wasn't reading, there wasn't that much on the paper to read. He was thinking, and he didn't want to look at Joe while he thought. Joe looked around the room and let the man think.

Finally Schatz stood up and reached across the desk, offering Joe his right hand. "Can you start at eight o'clock, Monday morning?" he asked. Joe jumped from his chair and grabbed the other man's hand in a double-fisted grip. "Can I? You just wait. I'll be here wid' bells on! You wont' regret dis, Mr Schwartz."

Schatz leaned back, pulling until Joe was bending over the desk, finally jerking his hand free of the American's grip. He reflexively wiped his palm on his trousers. "Bells won't be necessary, Mr Peret, but long trousers would be nice," he said. He saw the grin leave Joe's face and added, "I guess shorts are suitable, as long as they are cleaned and have a crease. It's really the accent that's most important, most of our clients want the American accent. You'll begin with the 8 to 10-year-olds, and have the teenagers after lunch."

"I'm confident you'll make an excellent English teacher, Mr Peret."

 

 

© Steve Rosse. All rights reserved by the author.

The author can be contacted at: shavethemonkeys@gmail.com

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If you enjoyed this short story by Steve Rosse you can read more of his work by purchasing his books, 'Thai Vignettes' and 'Expat Days' online at BangkokBooks.com. Here's the direct links to each for easy purchase.

Thai Vignettes: http://www.bangkokbooks.com/php/product/product.php?product_id=000025&sub_cate_name=&sub_cate_id

Expat Days: http://www.bangkokbooks.com/php/product/product.php?product_id=000032&sub_cate_name=&sub_cate_id


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Rating

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Comments / Feedback

Dana
June 2, 2008, 15:51

A nice vignette in my opinion. I just love Rosse's writing. Economical and believable and original. No naughty words, no tiresome cliches, no philosophy grandstanding, and no 'look at me' crazy camera angle Citizen Kane writing tricks.

Mr. Rosse writes with calculation: in other words, he knows what he is doing from the point-of-view of craft. He would make a good writing teacher.
steve rosse
June 2, 2008, 20:25

"He would make a good writing teacher."

Baak waan. Actually, two years in (arguably) the best graduate writing program in America taught me that I'm not even a good writing student. But I do believe in the value of technique, and I think classes are a good place to learn technique. Carol Hollinger developed the MS for "Mai Pen Rai Means Nevermind" at the Breadloaf conference, and found her agent there too. Then she died of a cerebral hemorrhage the day her book, the finest expat memoir ever written in Thailand, was published. If she had not believed in the worth of writing programs, and in the importance of "learning" how to write (rather than relying on just "talent"), we would never have had that book. What a loss that would have been.
Dana
June 2, 2008, 22:24

Talent exists and not merely as a concept. Talent exists in some people. They do not need instruction, they need sponsors. Instruction did not produce the Pieta, Michaelangelo did. One reason we study the talented is because they operate outside the bounds of normalcy. They are what we could be if only we had . . . talent.

"I could have produced what Bernini, and Picasso, and Gaugain, and Vincent van Gogh, and Orson Welles, and Albrecht Durer, and M.C. Escher, and Calder, and Rodin, and Monet, and Eyck, and Herman Melvile did if only I had some instruction." I sincerely doubt if this statement has ever come out of a human beings mouth.

Dogs and chickens and snakes can not recognize talent. Human beings can. And we should.
Marc Holt
June 3, 2008, 05:41

Nice one Steve. So, where does one go to learn to write in Thailand?
steve rosse
June 3, 2008, 20:51

"Nice one Steve. So, where does one go to learn to write in Thailand?"

Here's a quote, my friends and colleagues, from Michaelangelo: ""If there is some good in me, it is because I was born in the subtle atmosphere of your country of Arezzo. Along with the milk of my nurse I received the knack of handling chisel and hammer, with which I make my figures." He was raised by a stone mason in a quarry, you see, and learned his technique before he ever began his apprenticeship to a sculptor as a teenager.

Words are our chisel and hammer, and unless you grew up in the home of a junior-high English teacher (as I did) you should get to learn their use in school. Unfortunately, we live in an age of texting and blogging, where people just throw words and letters around like confetti. That's all fun and a better waste of time than pulling wings off flies, but it is not writing. Piling up stones on a beach may be fun, but it does not make you a stone mason.

You learn to write by taking the time to write and re-write and re-write a piece, then showing that piece to somebody you trust and after they make their suggestions you re-write and re-write and re-write again. Then you send it to editors, real editors at real publications, not just Web sites. You read every rejection letter and re-write and re-write and re-write again.

It's hard work. It takes talent to succeed at anything, but it takes more hard work than talent. Plenty of talented people sell mattresses for a living, and plenty of untalented but hard-working people are living in mansions and being interviewed on the chat shows.

So in Thailand where do you find people we can trust to show our writing? Well, we used to have the Chao Phraya River Club Literary Society in Phuket, and in Bangkok they still have the Bangkok Women's Writing Group. But the most constructive criticism I ever received came from editors. Send a story to Thailand Tatler, or The Nation, or The Post, or the Phuket Gazette, or Sawasdee Magazine, or the Chiang Mai Mail. They all have Web sites; you don't even have to buy a stamp and wait weeks for a response, as we used to. Every editor sits there all day fantasizing about being the "Man Who Discovered The Next Hemingway." Seriously, every editor wants the next story he reads to be the one that makes him famous. They're on your side. They desparately want your story to be good. Submit stories and listen to their suggestions. Then do the hard work to make their suggestions reality.

Wouldn't you like to get on a Thai Airways flight and see the guy in the seat next to you reading a story you wrote in Sawasdee Magazine? Wouldn't you like to go into Bookazine and see your book on the shelves? Wouldn't you like to walk into a bar and hear somebody say, "That's so-and-so, I love his writing. Do you think he'd let me buy him a drink?"

Those are moments you don't forget. Those are moments you cling to when your ex-wife's divorce lawyer has summoned you to another hearing and your boss is claiming your work for his own. Those are the moments that keep you warm in the cold, dark 3 a.m. of the soul. Don't you want moments like that? They don't come cheap, they take a lot of hard work down in the quarry, with chips of rock hitting you in the face and blisters popping on your hands. But they're worth it. Believe me when I say, they're worth the effort.
Dana
June 4, 2008, 07:00

"Then you send it to editors, real editors at real publications,"

"That's so-and-so, I love his writing."
___________________________________

No you don't. You don't love his writing; because after everyone else is through chewing the bone it is not his writing anymore. A more obvious conclusion more frequently missed in the 'wanna be' writer's desire to have something printed in an airplane magazine (help me here--is that a REAL publication) would be hard to imagine.

I find Mr. Rosse's lengthy and politcally correct text screeds on how you become a real writer repellent. His earlier characterization of many scribblers other than himself as masturbators was the single most offensive thing regarding writing and writers I have ever read and his holding up the Oxford English Dictionary as a shield was pitiful. He labeled himself forever. Boy, there is a writer for you.

Hey, I've got a whacky idea for a partial description of writers:

'Writers are reflexively nice and supportive to other people who are writing.'

Boy, talk about a revolutionary idea that I have never once seen on the net. Wow, what a world that would be huh? I guess I must be some kind of a visionary or something. Course I am not really sure until I have a bunch of other people 'edit' that thought: then I will know with certainty who I am, and what I am, and what I think, and what I was trying to say by putting words on paper.

For the love of Christ get off the high horse about having every word you have written going through someone else's intestines and coming out their rectum before it is 'good' writing. Complete nonsense and offensive to the creative person.

And now on to Mr. Ernest Hemingway who is often used as an example of something. I will not throw this out to Mr. Rosse as an individual, but to all of the net scribes who instinctively use Mr. Hemingway as an example of something. When was the last time in the last five years that you read a novel or novella of Mr. Hemingways from start to finish?

I'll be you can not do it. Boring. Boring writing. Find another example you net pontificators. Reminds of the thousands of libraries and tens of thousands of librarians in the United States that have Mark Twain's Tom Sawyer and Huckleberry Finn novels in the children's section. These are not children's books. No child can read them and few adults can read them. But the librarians know all about them. No, wait a minute; the librarians do not know anything about them.

But they have opinions.
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