The Articulate Mind

By : Steve Rosse
Views : 296

“Language can be thought of as articulate mind, as the means of becoming human, as the record of wit at play, as the right hand of thought, or as the great reservoir of symbol, but as a working tool it results from the use man has made of it.”

The sentence above is the first in a 20,000-word essay called “Language and the Dictionary” that prefaces the 1970 edition of Webster’s New World Dictionary. It was written by a man named Charlton Laird. The essay fills 16 pages, printed in a font so small I can’t even read it with my reading glasses. I have to take off my glasses and put my nose right on the page to read the words. I’ve had this dictionary for ten years but never noticed Mr. Laird’s essay until today. (How often do you open a dictionary at the very first page?)

I acquired the dictionary when it was thrown away by the hospital where I worked. The title on the spine is gilded, but the title on the cover is bare; the book has been pulled out of the bookcase so many times the gilt has completely worn off that surface. I suppose the dictionary was purchased new in 1970 and I imagine it was well used before Spell Check became a common tool, probably by at least a couple of dozen clerks in the 30 years before I inherited the book. I doubt that any of them ever noticed, let alone read, Mr. Laird’s essay.

Mr. Laird was a prominent enough writer that today he has a Wikipedia entry. Google provides almost 50,000 citations for his name. He was a writer of considerable talent who wrote in a variety of genres. He was a scholar and a teacher. He was successful and respected by his peers, enough so that when the World Publishing Company wanted somebody to write a preface to their new edition of Webster’s they sought him out.

They sought him out and I’m sure they flattered him and paid him well and probably provided their very best editor to help him. They gave him free rein and allowed him to pick his own subject. They gave him plenty of time to finish the project, perhaps as much as a year or even longer. And when he was done they printed his essay in a book that made its way into countless homes, schools, and libraries certainly all over the US and probably all over the world.

But out of all those copies, with that unbelievably thorough distribution and almost immeasurable shelf life, how many readers ever actually read Mr. Laird’s essay? How many readers ever began reading with that beautiful sentence above, on page xv, and kept reading the miniscule font and dense-as-concrete prose all the way to page xxxii? A few jealous peers, a few stalwart colleagues, perhaps his spouse and children. Over the years a random bored librarian, maybe a graduate student or two. But how many more? How many average readers, men and women who were not employed in the language business or related to the author, ever read the document he labored over? Mr. Laird was 69 years old when his essay was published in Webster’s. His essay in my dictionary likely reflects everything he’d learned in a lifetime of teaching and studying the English language. But who has ever read it?

I fell in love with his first sentence the first time I saw it. Pick any two commas in that sentence: what lies between them is more elegant, more precise and more sonorous than anything I’ve ever written. But even I have not read the whole essay. I’ve skimmed it. It’s a piece of writing that is a third of a novel in length, and as elegant and expressive as the writing is, much of it is still way over my head. The style predates a Baby Boomer’s short attention span: the sentences are long and complex and the ideas are subtle. It wouldn’t hurt a reader to have an education in linguistics and semantics. As wonderful as the essay must be, it’s a chore to read it.  When I was in college I’d have eaten it up. But I no longer have that kind of energy; now I’m not a good enough reader to successfully read Mr. Laird’s essay.

The average book is read, perhaps, once. Then it sits on a shelf for a few years until its owner needs space, at which time the book begins its sad slide through garage sale or church bazaar to Senior Center donation to Goodwill and finally to the pulp mill. In the case of a trade paperback this whole journey could span as little time as a year or two. But Mr. Laird’s essay was printed in a book that was designed to stay on shelves for decades. (The Oxford English Dictionary has only come out with two editions in 80 years.) Dictionaries are typically used by more than one reader, in the case of library copies by perhaps a dozen readers every single day. Mr. Laird could expect a potential readership broader than that offered by any newspaper or magazine.

I wondered how many copies of Webster’s New World Dictionary had been printed that year. Turns out, despite the wonders of the internet and free long distance calling, it is impossible in a single day to find out this figure. But I did a little math: The American Library Association estimates there are 122,566 libraries in the United States. If we assume that only half of them had a copy of the 1970 Webster’s New World Dictionary on their shelves, and kept it there for only twenty of the past forty years, and we assume that each of those copies was used by just one person per day, that makes 438,000,000 users. If only one in a thousand of those users read Mr. Laird’s essay, that means 438,000 people could have read it.

The best selling American novel of 1970 was “Love Story,” which has to date sold approximately twenty-one million copies, dwarfing the readership of Mr. Laird’s essay. But the editor at the newspaper I used to write for said that I probably had about 10,000 readers on a Sunday. So even buried at the beginning of the dictionary, Mr. Laird’s overlooked masterpiece has likely been read by more than forty times as many people as anything I’ve ever written.

So if this piece of writing, which is the product of a very articulate mind, which represents the life’s work of a brilliant man, which has enjoyed a distribution wider than 99% of published books and has been available to an audience larger than I can imagine, has still languished in obscurity virtually unread, what chance do my meager efforts have? What point is there in my striving to construct an elegant sentence? Why bother to work late into the night trying to capture an idea in words?

I’ve been thinking about this all day. And now, here at the end of the day, I’m writing down my thoughts. Not because I think anybody else should read them, but because I have no other way to deal with them. I have always written down my thoughts. I will always write down my thoughts. I don’t have a choice. It’s nice to think somebody may read these words, but it’s not necessary. Mr. Laird says language is a tool, but he is very careful not to describe the tool’s purpose. He remains vague, saying only that it “results from the use man has made of it.”

Mr. Laird was not by nature a vague guy. He was a fastidious, rigorous, nit-picking guy who knew exactly how to use a semicolon. If he did not describe “the use” of language in his introductory sentence, the omission was deliberate.

I think Mr. Laird recognized that language has as many uses as it has users. In the case of this user, language is a fence around unruly ideas, a way to corral thoughts so they are tame and manageable. Language is a security blanket that keeps chaos out of my bed. Language is not so much a tool to me, as it is a friend, a friend I will continue to share my time with whether anybody else comes to the party or not.

 

© Steve Rosse. All rights reserved by the author.

 

The author can be contacted at: shavethemonkeys@gmail.com

----------------------------
If you enjoyed this you can easily purchase Steve Rosse's book 'Thai Vignettes' online here at Bangkok Books.com: http://www.bangkokbooks.com/php/product/product.php?product_id=000025&sub_cate_name=&sub_cate_id=

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Steve’s third book, "She Kept the Bar Between Them" is available TODAY as an e-book on Amazon.This book will only ever be published as an e-book. You can find it here:

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Comments / Feedback

GoingPostal
October 11, 2011, 13:11

I'm not sure romanticizing a dictionary is going to entertain nor be useful to many readers. Have you noticed you almost have more literary hero's (for lack of an more accurate word) who write dictionaries and rules, as those who actually write? You give the impression you are more in love with the rules and order of writing, than the writing itself. This is not unusual. Many gain more enjoyment from building fast cars than driving the fast cars they build. But the insight might be useful.

Let us appeal to what a dictionary and other reference material really does for us sans the emotional appeal. They save us time, they help us avoid duplicating work. They free us to pursue writing.

I do not care who you are, if you are not taking advantage of the best and most convenient dictionary and reference sources you can find, you should be. If you have not trained yourself to go look up each word (and practice the enunciation) you find yourself wanting to use at first blush, but aren't 100% sure either what it means, how it is used, or how it is spelled, you should. Your skills will grow.

My desk was once adorned with splendid well used dictionaries thesauruses, and other reference materials. I loved looking at them. They gave me comfort. Confidence even. They went well with my IBM Selectric and the 7 round balls of different fonts I kept in the top drawer.

Computers have certainly progressed, but word processors have remained essentially the same for several decades. Features have increased, the ability to easily web publish added, and even social media inclusion is now standard. Yet, a word processor is still an electronic typewriter. Wonderful technology. Who can deny that after a brief learning curve they can save us hours daily, and improve our output through a more easily read product, and a more refined collection of words?

Quality electronic/on-line dictionaries, thesauruses, and other reference materials are far superior to bound volumes. They are quicker and easier to produce the desired information, quality versions are integrated with our word processors, and the best are automatically updated as needed. Often daily. Get some.

I understand the appeal and satisfaction from that favorite hard copy. I also understand what it's costing me.


This excerpt from a longer quote is particularly germane:

"If the tennis player thinks about anything except where he wants the ball to go and what he plans for the next stroke, he will probably become so awkward that he will be lucky to hit the ball at all." Charlton Laird The Miracle of Language. 1953

Keep your eye on the writing. The story.
Airmail
October 11, 2011, 18:02

The apostrophe is a punctuation mark used to mark omissions and possessives of nouns and pronouns not to be used for plurals. The use of commas in this post is wrong too. Too many where they're not needed. Especially in front of "end"....or "but" .... "than"... My God, it's so elementary.
Dana
October 13, 2011, 23:53

The use of commas not so long ago (50-90 years) was like heroin. Almost no writer could resist and almost no editor corrected them. Some 'famous authors' delivered text that looked like they filled a shotgun with commas and fired at the final draft. Of course this made the text hard to read and advertised their ignorance of punctuation. With these writers and non-editors commas were not used so much as punctuation tools as . . . ok, no one really knows what was going on. Hopefully, todays writing classes teach the students what the comma is for. Pull some old famous novels off of the shelves in libraries and look at the text. You will be stunned at the punctuation ignorance. Some of these charlatans received writing prizes. I sometimes wonder how much of the writing prize depended on how you looked at the New York cocktail party. Case in point: Mr. Hemingway and myself. If I had written the exact same words would I have received the exact same attention?
Louis P. Christopher
October 15, 2011, 01:05

Airmail, I'm not clear on what you mean when you wrote: "The use of commas in this post is wrong too. Too many where they're not needed. Especially in front of "end" (sic) ....or "but" .... "than"... My God, it's so elementary."

Are you referring to Steve's essay or Postal's comments?

I see one or two I do not like, but the notion that conjunctions like "and" or "but" are not ever to be preceded by commas is, well, bullcrap drilled into folks by the elementary school grammar teachers who also told us that sentences are never to begin with conjunctions. It's hogwash. And it drives me batty.

I've had people tell me it's an American vs. English thing. It's not.

I assume - and if I am wrong here, please feel free to correct me - that in the case of "and" you are referring to what is commonly called "The serial comma" or "the series comma." Do a quick google search.. Read the wikipedia entry. It's pretty comprehensive.

By the way, should you have used a comma before "too" when you wrote, ""The use of commas in this post is wrong too." I would argue no, some would say yes. Others would say writer's choice.

So, "My God, it's so elementary." Well... I don't think so.

Things change. Natural pauses. Writer's choice...

Yes, sometimes a comma is just wrong... but other times, it is just right, even if it doesn't gel with what Mrs. Grammarshnel taught us in elementary school. And other times it's right if it represents a pause that the writer wants...

And but so...

Dana,

"Case in point: Mr. Hemingway and myself. If I had written the exact same words would I have received the exact same attention?"

I would hope so. Hemingway?

"The Short Happy Life of Francis Macomber." Read this story and tell me honestly this is not a F'ng great story... Yes, I am a fan... And i can understand those who are not fans of all of his work. But i have read and liked many of your pieces and would be very surprised if you wouldn't have to honestly say that this (for starters) is a prime example of the power that short fiction is capable of.
Airmail
October 15, 2011, 07:39

I was referring to Postal's post. I'm sorry about my typo. I don't know why I should have used a comma in that sentence you're quoting.
Since I was talking about a post and not the story we're not talking about a "writer's choice" per se. A post is not supposed to be a piece of art. A serial comma isn't used in front of "but" and "than". How about in front of "as"? Please re-read the post.
Louis P. Christopher
October 15, 2011, 09:27

Ah, OK, gotcha. I wasn't sure whether you were referring to Steve's piece or Postal's post.

When it's just a post, accuracy doesn't so much concern me. Sometimes I post comments when I am half in the bag and mistakes are made. (This is not to say that I don't ever make mistakes in stories I have read over a dozen times or more as well. Sometimes I do. As do most.)

Your point about the apostrophe is not up for discussion. You are, of course, correct there. Good example of when punctuation is not at all fluid. But commas are a whole other bag, which I think is what I was trying to say. There is a lot of wiggle room with the comma. Sometimes before a conjunction and sometimes not and sometimes writer's choice.

My point about your quote was that many people always put a comma before "too" when that word ends a sentence and you (like many) chose not to. Are you wrong? Mrs. Grammarshnel would probably say you are. I would say that you are not. But if you used one, I wouldn't say you were wrong to have done so either.

So I don't think "it's all so elementary." I think a lot of it is, but not all of it.

I'm reading a book now by a Nobel Prize for Literature winner. He has dialog all in one paragraph with no quotation marks and the speakers words separated by commas. It's odd, but once the reader gets used to it, it's usually clear who is speaking. I wouldn't do it. Nor do I think everyone who writes can use these examples to argue that, like, hey man, it's all fluid now, dude, so I can do whatever I want where punctuation is concerned.

Consistency is important, especially if you chose to throw convention out the window.

As an aside, yes I am aware that Henry Kissinger won the Nobel Peace prize... and Arafat... so just because someone has won a Nobel doesn't (ah, you can finish my thought here for me, so I will leave it at that).


GoingPostal
October 15, 2011, 12:41

"I've had people tell me it's an American vs. English thing. It's not. "

Some of it is.

But it is really not such a big issue either way. I suspect Airmail is fretting because he is about to become obsolete along with Parcel Post and free boxes. That, and perhaps he couldn't come up with anything otherwise useful to say.

Did you know the most misused punctuation mark is the apostrophe? It is, but I wouldn't blame you if you did not know this fascinating bit of trivia. Why? Because no one cares.

However, I have noticed something of real interest. As I find the opportunity to meet and greet those whose writings I have previously enjoyed, an interesting phenomena reveals itself. Those who are stingy on the commas and other punctuation.. invariably speak in the most boring of monotones. Look for this the time time you first meet someone, where you have read their writing beforehand. In comparison Mr. Rogers will leave you spellbound.

"so just because someone has won a Nobel"

Thank you! Please allow me to expand on this a bit further. Just because someone has read a novel penned by a famous person, just because someone quotes a famous person, just because.. well, as you point out it means nothing other than someone is trying to pump their booster seat through association.

Everyone pens original quotes most every time they send an email, write a letter, or put words to media in any form. Just because someone is famous gives them no more credibility about the rules of writing than the next guy. Besides, even famous people usually need to die before anyone pays attention to what they've said/written. This is not the type of validation I seek.

Writing correctly is risky. For instance, if my Fairlady is normally dirty no one much cares. It is just a normal car as seen through the dirt. People see a car. No one cares. Life goes on, I drive a car. However, if I normally keep my Fairlady polished and it gleams from bumper to bumper, and an errant seagull vents on the hood, I am suddenly the driver of a car with a giant turd on the bonnet.

No matter, I am sure there is an ap for that.







Louis P. Christopher
October 16, 2011, 04:03

Oops... I meant "speaker's words" (of course).
Airmail
October 16, 2011, 10:17

Or was it speakers' words? :-) I mean it's a dialogue,right?
Just asking, not because I didn't understand what you posted.
Louis P. Christopher
October 16, 2011, 23:07

Nice work, Airmail.

Either it was a gaffe or a check to see if anyone was paying attention.

Either way, I've been waiting for someone to point it out.

Nice work.

Does it mater. YES!... and no... depending...

Cheers and good night.
Louis P. Christopher
October 16, 2011, 23:12

Wait... How do you spell "matter"? Well, heck, I must have a reference book somewhere on this shelf...

Don't take this all too seriously folks. As the kids say, "chillax!"
Dana
October 17, 2011, 21:14

--As the kids say, "chillax!"--

Really? That's what the kids say is it? Ok, here is what Dana says to the kids. Start running. I'm pullin' a 45 caliber handgun out of my briefcase now.
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